A body of work made at the threshold between night and morning, in places where light refuses to arrive completely. Each image is a long exposure — the fog becomes a collaborator.
Rooms photographed after their occupants have left. The objects that remain carry the weight of their absence. Made across eleven cities over two years.
"Photography is not the art of capturing what is — it is the art of revealing what was always there."
Born in Lebanon, based between Beirut and São Paulo. Adib Hanna's practice spans more than two decades of photographic inquiry, moving between documentary impulse and lyric abstraction.
His work has been exhibited in private galleries and art fairs across Europe, the Middle East, and the Americas.